Done by Marina Abramovic at 1974

https://www.youtube.com/watch?v=hrzdYFLqMOU

  1. Marina Abramović’s Rhythm Zero (1974) demonstrated de-individuation through 72 objects ranging from comforting (rose, perfume) to dangerous (knife, gun) during 6 hours where audience escalated from placing roses in first 2 hours to cutting her shirt, neck, and pressing thorns into her stomach by hour 3.

  2. The performance paralleled Stanford prison experiment and Milgram’s obedience study, showing how informational social influence normalizes violence as groups lose self-awareness, accountability, and empathy, merging into a collective capable of cruelty.